Cantinflas and the Chaos of Mexican Modernity (Latin American Silhouettes)

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Physiognomically, the depiction of the pelado tended to display features associated with the Indigenous population, such as thick lips, prominent jaws and a scarce moustache only growing to each side of the lips. The great success of these comic strips made the pioneer entertainment-industry entrepreneurs realize the commercial potential of the pelado. Undoubtly, it was Mario Moreno who would take pride in the creation of the most famous and celebrated pelado—Cantinflas.

Mario Moreno, better known as Cantinflas. In the essay The Cage of Melancholy , Bartra concludes that such national stereotypes are but fictitious elaborations whose appearances in public media have responded to the political agendas of intellectuals and other dominant groups. Mexican Postcards. London: Verso, Pilcher, Jeffrey M.

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Cantinflas and the Chaos of Mexican Modernity. Latin American Silhouettes. Wilmington, DE: Scholarly Resources, El mundo imaginario de la historieta mexicana. Ciencias sociales y humanidades. Aguascalientes: Instituto Cultural de Aguascalientes, Related Papers. Humor in Latin American Cinema. By Juan Poblete. Nationalising the Popular. By Jeff Browitt.

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By Gareth Williams. Carpa y teatro, sol y sombra: Show business and public culture in San Antonio's Mexican colony, Body Lotions Face Creams. Tents Accessories Lights Camping Bed. Billiard Fishing Toss Games. Business Writing Skills. Graphic Novels Comic Strips.

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